Born 1606, Died 1669.One of the great Dutch painters and printmakers of the 17th century, Rembrandt van Rijn is best known for his expressive use of light and shadow (also called chiaroscuro) in his many portraits. Raised in Leiden, he studied with Pieter Lastman (1583-1633) in Amsterdam, then returned to Leiden around 1625 and set up shop as a teacher and portrait artist. Sometime between 1630 and 1632 Rembrandt relocated to Amsterdam, where he spent the rest of his career. Though he had his detractors (some of whom considered him coarse and "low born"), Rembrandt was successful and famous during his lifetime, though he fell on financial hard times in his later years. He was a master printer and produced hundreds of group portraits and historical paintings, including The Anatomy Lesson of Dr. Tulp (1632), The Military Company of Captain Frans Banning Cocq (1642) and Aristotle with a Bust of Homer (1653). His portraits -- including a lifelong trail of intriguing and rather frank self-portraits -- reveal his interest in psychological study and continue to be admired as landmarks in Western art. The Military Company of Captain Frans Banning Cocq is also known as "The Night Watch" because it was thought the painting depicted a nighttime scene. When the painting was cleaned in the 1940s it became obvious that it depicted a daytime scene... He married Saskia van Ulenburgh (also Uylenburgh) in 1634.   Related Paintings of REMBRANDT Harmenszoon van Rijn :. | The Descent from the Cross | The Anatomy Lesson of Dr.Nicolaes Tulp | Portrait of Herman Doomer | Philosopher in Meditaton | River with Trees on its Embankment at Dusk |
Related Artists:
Moritz von Schwind
Austrian Romantic Painter, 1804-1871 Austrian painter and illustrator. He studied at the Akademie der Bildende K?nste in Vienna (1821-3), where he was influenced by the Biedermeier genre painter Peter Krafft and the Nazarene painter Ludwig Ferdinand Schnorr von Carolsfeld. He made copies after the Old Masters at the Belvedere in Vienna, exploring especially D?rer, Albrecht Altdorfer, Raphael and Titian, which completed his early, largely autodidactic experience of art. His friendship with Franz Schubert, the poet and playwright Franz Grillparzer and the painters Ferdinand and Friedrich Olivier, as well as the cultural environment of Biedermeier Vienna in his years there between 1823 and 1828, shaped his spiritual development as a painter. His love of music inspired his later 'symphonic' compositions and flowing linear rhythms. Extensive reading of the work of Romantic writers such as Achim von Arnim, Clemens von Brentano, Ludwig Tieck, Friedrich Heinrich von Hagen and the brothers Jacob and Wilhelm Grimm helped prepare his mature pictorial themes of fairytales, legends and sagas. He was unsuccessful as a painter and eked out a meagre livelihood by drawing naturalistic genre scenes for engravers, while occasionally selling a painting. Walk before the City Gate
Page, Marie Danforth
American, 1869-1940
Friedrich Hagedorn
(23 April 1708 - 28 October 1754), German poet, was born at Hamburg, where his father, a man of scientific and literary taste, was Danish minister. He was educated at the gymnasium of Hamburg, and later (1726) became a student of law at Jena. Returning to Hamburg in 1729, he obtained the appointment of unpaid private secretary to the Danish ambassador in London, where he lived till 1731. Hagedorn's return to Hamburg was followed by a period of great poverty and hardship, but in 1733 he was appointed secretary to the so-called "English Court" (Englischer Hof) in Hamburg, a trading company founded in the 13th century. He shortly afterwards married, and from this time had sufficient leisure to pursue his literary occupations till his death. Hagedorn is the first German poet who bears unmistakable testimony to the nation's recovery from the devastation wrought by the Thirty Years' War. He is eminently a social poet. His light and graceful love-songs and anacreontics, with their undisguised joie de vivre, introduced a new note into the German lyric; his fables and tales in verse are hardly inferior in form and in delicate persiflage to those of his master La Fontaine, and his moralizing poetry re-echoes the philosophy of Horace. He exerted a dominant influence on the German lyric until late in the 18th century. The first collection of Hagedorn's poems was published at Hamburg shortly after his return from Jena in 1729, under the title Versuch einiger Gedichte (reprinted by A. Sauer, Heilbronn, 1883). In 1738 appeared Versuch in poetischen Fabeln und Erzählungen; in 1742 a collection of his lyric poems, under the title Sammlung neuer Oden und Lieder; and his Moralische Gedichte in 1750. A collection of his entire works was published at Hamburg in 1757 after his death. The best is J.J. Eschenburg's edition (5 vols., Hamburg, 1800). Selections of his poetry with an excellent introduction in F. Muncker's Anakreontiker und preussisch-patriotische Lyriker (Stuttgart, 1894). See also H. Schuster, F. von Hagedorn und seine Bedeutung fer die deutsche Literatur (Leipzig, 1882); W. Eigenbrodt, Hagedorn und die Erzählung in Reimversen (Berlin, 1884).